By Kevin Taylor
The totally revised and up to date moment version of this best-selling guidebook is meant for all viewers to Cambridge, and for someone with an curiosity within the collage. Combining an available kind with accuracy of truth and a wealth of old aspect, it may be used to accompany a strolling journey or learn at relaxation as an authoritative advent. the second one variation is filled with newly commissioned color photos by means of eastern artist and photographer Hiroshi Shimura, in addition to clean maps and additional information regarding the structures and advancements of contemporary years. critical sights obtain complete entries, and the ebook additionally bargains old descriptions of all of the outer-lying schools, making it a accomplished survey of the collegiate college. there's an informative creation, an inventory of schools with starting place dates, a considerable thesaurus and index, and a listing of additional analyzing fabric, all prolonged and up to date for this variation.
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Additional info for Central Cambridge: A Guide to the University and Colleges
Until the 1820s, the Cam provided 39 KING’S PARADE AND TRINITY STREET a natural western boundary for the University, separating it from the meadows beyond; but faced with demands for extra accommodation St John’s took a step across the river and commissioned the extensive neogothic New Court (1825-31). The buildings, with their elaborate central lantern known as The Wedding-Cake and covered walkway evoking the ancient university streets of Padua or Bologna, paved the way for further expansion westward.
The whole area became known as ‘Little Germany’, due to the inﬂuence of Martin Luther on these English thinkers. Map F8 Peas Hill and market area The neighbouring market place is much smaller than it was in medieval times, when St Edward’s would have stood on the edge of a vast expanse of stalls stretching as far as the churches of Holy Trinity and St Andrew’s to the east. Street-names reﬂect the original functions of particular areas of the market, including Peas Hill, where we now ﬁnd the Guildhall (1936-7), home of Cambridge City Council, its façade overlooking the 39 Cambridge city arms market with the arms of the city of Cambridge above the doorway.
Built 1722-30 in a restrained baroque style by James Gibbs, with the help of James Burrough, its wellproportioned windows, pediments, parapet, and Corinthinan pilasters and columns present a stately effect rising from the neat lawn with its central urn and its black railings of 1730 (among the ﬁrst to be put up in England). Inside, an ante-room leads into a spacious hall with galleries on either side. The Senate-House had been intended by Gibbs as part of a threesided court of buildings, but this, like Cockerell’s later scheme to cover the site of the Old Schools with Victorian structures, and Nicholas Hawksmoor’s earlier one to convert the centre of Cambridge into a grand classical forum, never came about.