A Caravaggio Rediscovered The Lute Player by Keith Christiansen

By Keith Christiansen

Many black and white and colour pictures of work. contains historical past and outlines.

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A Caravaggio Rediscovered The Lute Player

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2009. Viewing Artworks: Contributions of Cognitive Control and Perceptual Facilitation to Aesthetic Experience. Brain and Cognition 70: 84–91. Di Dio, Cinzia, Emilio Macaluso, and Giacomo Rizzolatti. 2007. The Golden Beauty: Brain Response to Classical and Renaissance Sculptures. PLoS One 2: e1201. Di Dio, Cinzia, and Vittorio Gallese. 2009. Neuroaesthetics: A Review. Current Opinion in Neurobiology 19: 1–6. , and Giulio Tononi. 2000. A Universe of Consciousness: How Matter Becomes Imagination.

Ivan Gaskell and Michiel Jonker, 225–234. New Haven, CT: Yale University Press. Hoffman, Martin L. 2002. How Automatic and Representational Is Empathy, and Why. Behavioral and Brain Science 25: 38–39. Hohwy, Jakob. 2007. Functional Integration and the Mind. Synthese 159: 315–328. Ladislav Kesner 31 Hyman, John. 2006. Art and Neuroscience. org/artcognition/papers/15. Jacobsen, Thomas, Ricarda I. Schubotz, Lea Höfel, and D. Yves von Cramon. 2006. Brain Correlates of Aesthetic Judgment of Beauty. NeuroImage 29: 276–285.

The authors of one of the first studies of this kind, who used magnetoencephalography to localize the brain areas involved in the visual perception of aesthetic objects, perhaps inadvertently hint at the difficulties of defining criteria of mental states related to aesthetics. Concluding that increased activity in the prefrontal cortex “relates with aesthetic perception”, they acknowledge: “However, the lack of a precise definition of “aesthetic perception” constitutes an important obstacle for this kind of research” (Cela-Conde et al.

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